Jan 10, 2020 10:36:55 AM Edited Jan 12, 2020 07:47:28 AM by Louis A E
Hello Upwork clients!
As an illustrator I see a great amount of requests for proposals on creating children's book art... and honestly, 99% of them are seriously lacking in basic details. Without these you will likely be passed on by the more professional freelancers, and those few who do reply to your proposal will likely offer inappropriate rates for the job. Further, you will wind up wasting a lot of time rejecting work and clarifying what you wanted to begin with... leaving you unhappy and your project unfulfilled.
Think of the hiring process on Upwork as going to a restaurant that offers every dish on earth, and when the server asks what you would like, you simply say "food." Obviously, it would save everyone a lot of headaches if you mention things like allergies, diet restrictions, portion sizes, preferred cooking styles, preferred ingredients, being a vegetarian, price ranges, and so on.
So here is a list of things you should consider ahead of time, and ideally include in your request for proposal...
1. The basics...
How many pages? Do you need a cover? Size of the pages?
(If you are self publishing, all of that has to be known in order for you to get a cover that fits correctly. You even have to know what kind of paper you will print on.)
2. The style...
What age group are you writing for? What sort of media... ink, pencil, waterclor, crayon, digital paint, etc? What sort of look.... Disney, "Caillou", comic book, anime, realistic, etc?
(The reader's age will determine what style, colors, font size, and word choice is appropriate. Provide samples or a list of books you like... this will help you weed out freelancers who can't work in a certain style and attract those that can.)
3. Characters...
How many are there? Are they humans, animals, creatures, fish, etc?
(The more characters you have, the more unique looks have to be created AND the more crowded a drawing will be... which is obviously more difficult for your artist. This is especially true for books targeting infants/toddlers... they might differenciate characters by respective sizes and shirt colors, while older readers are able to notice more subtle details. Further, some artists may be experts at drawing people but terrible with animals.)
4. Format...
Horizontal or vertical format? Do you want art and text on the same page? Do you want borders around art? Do you want text overlayed onto the art? Will there be art on every page, or only highlighting important parts of the story?
(Simple bordered or separate page art you can insert into a document yourself, but if you want art and text combined, you will need a second freelancer with experience in book formatting, or better yet, an artist that can do it to begin with. Font style should match the art and the tone of the writing. The amount of text on each page should be balanced and leave room for artwork. The space allocated for artwork will determine how detailed/intricate the art can be as well as how scenes are laid out... the use of white space, visual focus and so on...)
5. Project milestones...
I highly recommend you provide your freelancer the text at the beginning, and assuming you hammered out all the details listed above, the first milestone should be 'schematic design'.... get the entire book laid out in quick-sketch, storyboard form. The location of text and art should be roughly planned for every page. This will help you avoid pages with too much/too little text and ensure what is written is 'worthy' of accompanying art (i.e. the page's text isn't just transitional/fluff... there is a plot point to be highlighted by art). This should be a short, fast process and be about 10% of the project cost.
The second milestone should be 'design development'... basically the revised version of the first milestone... updated text, text placement, and art layout. You should have already conveyed who your printer will be and what their requirements are regarding print areas, bleed, bar code placement and so on to your freelancer so they know how much space they have to work in. This should take twice as long as step one, and cost about 20% of the project.
The third milestone should be 'design production'... where final art is created and married with the text. This should be the bulk of the project's schedule and worth 60% of it's cost. You can break this down into further milestones if you want to monitor progress more closely... but again, if you went through the early steps of conveying exactly what you want from the start, there shouldn't be too much hand-holding required.
The fourth milestone should be 'final design'... basically the last looks and tweaks of what should be a "95%" complete job... there should be little work involved besides getting your final approval of the inside pages and possibly adjusting any cover design. Remember, the cover art's width (for full cover art) is determined by the company printing/binding you book- the spine thickness depends on number of pages and paper thickness you chose. Once you have your final product, you can release that last 10% of funding.
I hope this guide helps you and your prospective freelancer(s) realize your project with ease and efficiency. Happy writing!
Louis Eliopoulos
Jan 10, 2020 10:49:29 AM by Preston H
You should add this as an item in your portfolio, if you have not already done so.
Create an easy-to-read, informative thumbnail image that labels the contents of the document.
Aug 29, 2024 10:27:25 AM Edited Aug 29, 2024 11:09:30 AM by Ronna P
2 other suggestions from an illustrator. The Age of the kids you're writing for and a picture of a style you like. I'm a realistic book illustrator, and my work is a good fit for non-fiction, educational works and books for older kids, they call them Middle Grade or even YA. I've attached some samples of my work. You'll see I'm not going to be a good fit for an author who needs whimsical designs for 2-4-year-olds. I love it when authors include this because I can save them the trouble of going through images that won't help them. It also saves artists a LOT of time and money. Also, including a picture from a style you like is NOT stealing an artist's work. It's just letting your prospective illustrators know if what you need is in the relative ballpark of what they do. I hope this helps. Good luck with your projects!
**Edited for Community Guidelines**
Aug 31, 2024 08:21:12 AM by Ishita G
Louis this is a great response and I agree that you should put this on your profile. I personally draft estimates and plans along with 3d renders and I also have created a punch list of items a client needs to provide prior to accepting any contract.
Sep 4, 2024 04:50:00 PM by James Thomas G
The information that Louis provided earlier is even more viable now with connects having gone up substantially as well as costing those who get invited to apply for a project. The more information you provide, the more a freelancer will know if they are eligible to do the job. This will save you a lot of pain and agony. A couple of other tips.
You don't have to include the manuscript in the posting, but you should at least give us a general idea, and even an excerpt of the book text. If you are worried about copyright issues, posting only part of a book will not harm you, and in any case, just giving the "elevator pitch" about it would help you not only in communicating the project to others but also help with the marketing needed for the book itself.
Second, the milestones of the project can be figured out during the negotiation process. But the definite first milestone will be the one that defines the scope and the process of the project. This is known as the "book dummy" or a visual outline of the book from start to finish. Accompanying this will also include character sheets of recurring characters. Just this first milestone alone either on a fixed or hourly project framing will help you determine if your vision of the book and the artist's vision is compatible. The book dummy will be sketches and layouts of the illustrations and probably places where the text will go. This is a rough outline and should not be indicative of the artist's ability to create an illustration properly.